Monday, April 15, 2013

Anokhi Museum of Hand Block Printing

I skipped out of one festival afternoon and took a taxi to Amber, where the other Amy, Cheryl, Kristina, Kristin and I checked out the Anokhi Museum of Hand Block Printing. I'm such a nerd about Indian textiles. I couldn't miss this.

I took some drive-by photos of Jaipur on the way ...



It's called the Pink City, but it's really kind of orange ...




I passed the Amber Fort ...


And headed into old Amber ...



The museum is right next to one of the ancient gates to the old city.



The museum is in a beautiful old mansion that's been restored using local materials and traditional construction methods.



Inside are displays about the history and present use of hand block printing. Here are some carved wood blocks together with fabrics featuring the prints.


These blocks use metal prongs to imitate a popular form of tie-dyeing.


These blocks are used to emboss fabrics with gold or other metals.


Some traditional costumes made with block-printed cloth ...


There were several displays that showed the long dyeing process. Most of the fabrics had so much color and design that they had to be dyed many times before they were complete. There are rules for which colors or designs have to be done first, second and so on.


Traditional costume for men made with block-printed fabric ...



One of the rooms was full of contemporary designs using the traditional dyeing techniques.


 
 
This was my favorite ...

 

The building itself was just gorgeous ...





 
 
Looking out the window at the neighbors ... Notice the clothes hanging to dry on the satellite dish ...

 

This man was printing fabrics in a rooftop courtyard and let us have a try. It's much harder than it looks. I couldn't get anything lined up right, but Cheryl was pretty good at it.



His finished work ...



More of the amazing building ...



It was definitely worth the side trip! After touring the museum, we headed back down the mountain to the festival grounds, passing these sights on the way ...

near Amber Fort

the old city's Hawa Mahal, built so ladies of the court could observe the outside world without being seen

rickshaw driver waiting for a fare
 

Jaipur Literature Festival

Back in January, some friends and I ditched our families for a week and took off for the Jaipur Literature Festival (and here) and some sightseeing up north. It was wonderful! (Though by the end of the week I was good and ready to be back to my family.)

Before we went, my friend Bibi was having visions of hobnobbing with the cravat-clad literary elite of India and beyond. It wasn't quite like that, but it was pretty exciting nonetheless. We didn't get there until the second day of the festival, so we missed seeing the Dalai Lama, but the upside of that is that we missed the worst of the crowds, too. This being India, however, we were still literally rubbing shoulders with several thousand people each day.

Every morning after breakfast we walked out of the hotel and flagged down a couple of autorickshaws to get us to the festival. It was great having Bibi along, because she's fluent in Urdu (she's Pakistani-American), which is close enough to Hindi as to be almost the same language. Indians and Pakistanis would both argue with that, but I call it as I hear it.

I took these photos on our first morning drive. You can see from the clothing that it's much cooler in Jaipur in January than it is in Chennai. Still warm enough to lose the sweater in the afternoon, though.


These students were protesting increased school fees.


To get into the festival, you have to run a gauntlet of newsies trying to bury you in free papers. We always grabbed a couple each. Here's Bibi getting all annoyed about the day's headline. Two Pakistani diplomats who were supposed to attend the festival were barred from entering India.


There was plenty of controversy around the festival this year. Salman Rushdie kept waffling about whether he was going to be there, which kept his name in the spotlight. I saw a hilarious political cartoon about it that implied this was his intention anyway. After seeing several interviews with him, I'm inclined to agree.

People also got noses out of joint about some of the Pakistani authors who were set to attend. The most interesting fight, though, was over some remarks made during a session called "Republic of Ideas," where the panel was discussing corruption in India. Professor Ashis Nandy said that Dalits (formerly called untouchables) now in political power were entering into corruption with as much gusto as anyone else. Insanity ensues! There were protesters outside the festival gates (though not nearly so many as Indian media would have you believe), there were arrests, there were investigations, it's still being hashed out in courts and the media.

Two hours after the session on corruption, Kristina and I attended one called "Freedom of Speech and Expression" in the same venue. Oh, the irony! Oh, India!

Here we are back on Day 1 after surviving the newsies and getting our credentials and free tote bags: Bibi, me, Erin. The others were off at Amber Fort for the morning.


No one was wearing a cravat, but we did hobnob with all sorts. This year's theme was Buddhism, so there were Buddhist monks everywhere.


We paid extra for access to the delegates' lounge (with mountains of delicious, free food! well, free after paying for delegate status, but whatever), where we met authors and other panelists and presenters. Kristina, Cheryl and I had a great conversation with a guy who just moved back to India after spending several years in the U.S. The best thing about the delegates' lounge, though, was that it was a break from the insane crowds. There were actually chairs available, room to stretch out a little. It was well worth the extra money.

Here's a shot from one of my favorite panels. The session was "Laughing, Weeping, Writing," with authors Manu Joseph (The Illicit Happiness of Other People, which I gave 3 stars on Goodreads), Gary Shteyngart (never read his stuff), and Deborah Moggach (The Best Exotic Marigold Hotel, which I found disappointingly boring). The discussion was about writing humor when life can be so bleak. My favorite quote: "You can't be cautious and write well." I think it was Deborah Moggach who said it.


We were serenaded by this band every evening as the festival closed down. I guess it was their polite way of saying, "Get out, already!"


The festival opened each day with a morning meditation or chants. Ani Choying is a Buddhist monk with a gorgeous voice. Beautiful!


Another of my favorite sessions, "India: An Unbound Breakout Nation in Spite of the Gods?", featured writers Edward Luce and Ruchir Sharma. The moderator was Gurcharan Das, with whom Cheryl and I shared a ride to the music venue! Be impressed! This is as close to cravats as we got.


These guys are ladling out free tea, served in disposable baked clay cups. My tea-drinking friends say it was delicious. Indians drink their tea very hot and with a ton of milk.


Sonam Dorji singing Bhutanese music ...

 
There was a station over near the delegates' lounge where you could get a turban wrapped if you wanted one. They also apparently accosted people who just looked like they needed a turban in order to have a fulfilled life. That's Erin's story, anyway.
 

 


The semi-ceiling at the Char Bagh venue ...



Cheryl at a session on Gandhi's legacy, a more controversial subject in India than you might imagine ...



I love this banner, hung outside the festival book store ...



We attended this session only because we wanted good seats for the next in that venue, but it was fascinating! This is author Tom Holland discussing his research for the book Persian Fire: The First World Empire and the Battle for the West. I know almost nothing about the Persian Empire, but Holland's awesome talk hooked me. I bought his book at the festival, and now I'm all set to get educated. How do I not know anything about ancient Persia? (The same way I know nothing about ancient Assyria, I suppose.)



Once Tom Holland finished filling us with Persia love, Cheryl and Kristina and I snaked our way into better seats for an interesting session on literature coming out of "the new Africa."



Some interesting faces at that same session ... There was a guy sitting behind me who looked exactly like Alexander McCall Smith, though it wasn't him, dang it.


 
So the Jaipur Literature Festival was all fun and excitement and intellectual stimulation ... and then I was unexpectedly called upon to defend My People. (You never know when it's going to happen.)
 
Cheryl and I were attending "The Decline of America," a discussion of Edward Luce's book Time to Start Thinking: America and the Spectre of Decline. Panelists (some American, some not) were making points with which I find it hard to argue: political gridlock, crumbling infrastructure, competition from rising economies, etc. The good news, according to the panelists, is that China is in no position to take over as dominant superpower. More bad news, though, is that since no one is in a position to take over as the world's policeman we're looking at a future of relative chaos. Luce (who's British but has family ties to both India and the United States), kept pointing out the love-hate nature of everyone's relationship with America. They resent us, but they need us.
 
All very well and very interesting. And then, during a discussion about how 9/11 turned the U.S. Foreign Service into a bunch of people hiding behind fortresses instead of getting out and about among the people (a point that is partially true), panelist Ian Buruma decided to go for an easy laugh and said, "So now you have a Foreign Service that's full of Mormons who learned their language in Utah." Cue audience laughter.
 
I was livid. I decided I'd never be able to live with myself if I didn't confront this guy, so after the session Cheryl and I tracked him down at the book-signing tables. He was standing there talking to the moderator, who beat a hasty retreat after I introduced myself as the Mormon wife of a U.S. Foreign Service officer currently stationed in Chennai.
 
I don't remember anyone's exact words, but I started by asking him why he thought a Mormon "who learned the language in Utah" might be unqualified for Foreign Service work. His response was that in his experience (which surely must be limited) most returned Mormon missionaries know a lot about the country in which they served and little about anywhere else. My response was that John was a missionary in the Dominican Republic and now was posted in Chennai, where he speaks Tamil and gets "out and about" plenty, thank you very much. His response (complete with shifty eyes) was, "Well, I know they're not all that way." Direct quote! I opened my mouth to say more, but he excused himself and said he had to get to another session.
 
Gah! I later (of course) came up with the perfect response. "If you know they're not all that way, then why say it at all?" For the easy laugh, obviously. It's socially acceptable to make fun of Mormons, so let's all do it! Wheeee!
 
Cheryl and I went off to meet the others at lunch, me still fuming. My friends were wonderful enough to pat me on the back and assure me that the intellectual-elitist snob Ian Buruma was a jerk. They're so good to me.
 
My little confrontation probably did absolutely no good in the world, but I'd still be kicking myself if I hadn't done it.
 
There was much, much more to the Jaipur Literature Festival than what I've written here, but if I tried to describe every great session and every moment of enlightenment I'd be typing for ages. If I ever get the chance, I'll go again. Some of my friends who will still be here are already signed up for next year. I'll have to be satisfied with the Library of Congress National Book Festival in Washington next year, an equally awesome event. Isabel Allende was there last time I went. I just checked the site and found out that Barbara Kingsolver will be there this year! Woot! Who wants to join me?
 


Tuesday, April 9, 2013

Close encounters of the reptilian kind

Ack! I'm two huge trips behind and running out of time! I can't move backward to my girls' trip up north or forward to our awesome spring break in Kerala (with a side trip across the country to Amritsar) until I fill you in on another great spot right here in good old Chennai.

Who says there's not much to do in Chennai? Take THIS, Lonely Planet.


We spent a lovely Saturday afternoon with the hundreds of reptiles at the Madras Crocodile Bank, which (I'll have you know) is cool enough to be featured in Johnny's Amazing India book.

The zoo was founded to protect endangered crocodiles and gharials, but it also houses lots of snakes, like the reticulated python. Please note its diet:


I'll highlight the pertinent parts ...


Crocodiles of all shapes and sizes hang out at the zoo, and the kids got to see baby crocs and other fun critters at touch stations and in little aquariums scattered around the park. I've never seen so much crocodilian variety!

 
 
We followed the path toward Jaws II, a salt water crocodile that's supposed to be the largest in captivity in India. The signs inspired a bit of trepidation ...
 

The Jaws II path took us past the underwater gharial viewing, which featured brave turtles ...


... and one of the strangest creatures I've ever seen. Why is this gharial smiling? And why isn't it eating the turtles? Hmm.




I thought this sign was well placed ...


That croc doesn't look so big ... but wait until it crawls out of the water ... Must be well fed.

 
And guess what? Not all the reptiles are in captivity. But don't worry, only FOUR of the free-ranging snakes are venomous. 
 

Samuel compares jaws with Jaws II ...


I think Jaws II is the winner in this case ... Our stare-down with this giant croc was a bit disconcerting. There's too much intelligence behind those eyes. He's probably thinking: Mmmmmm .... lunch ...


What a quaint, humorous sign! But wait! John and Johnny saw a crocodile doing exactly this in an apparent attempt to escape and get a taste of tasty tourist!


The Crocodile Bank also houses the Irula Snake-Catchers Cooperative, where snake handlers milk venomous snakes for the production of anti-venoms. The Irula tribe members are traditionally snake hunters, but now that it's illegal to hunt snakes for their skins the tribe members use their skills for science and tourism. While we were there, it was milking time for the cobras. Here's one showing off its gorgeous hood.



The snakes were hissing up a storm, and all five of us Halls stood in horrid fascination long after our friends had gone off to get cold drinks.

An Irula tribe member extracts venom ...


I noticed that every one of their tools was smeared with tamarind paste and vermillion (as were the snake handlers), so it had all been recently blessed.


Showing off the snake's fangs ...


And the precious venom ...


This cobra seems to have appointed itself guardian of the cash (tips, I think, though possibly offerings, as some Hindus worship cobras) ...


They're beautiful animals, but I hope I never see one outside of a zoo ...


I mentioned the tamarind and vermillion paste, but this little shrine had me laughing. Whatever god is out there, please! Please protect us! The snake handlers aren't taking any chances at all ...


 
Getting a close-up look at a snake skin ...


 A great day at the zoo!

Note: I wrote half of this post before going to bed last night and then had vivid nightmares about crocodiles eating my children. When will I learn?